Stage Review - HOLES

James Backway as Stanley and Leona Allen as Zero in the Nottingham Playhouse Production of HOLES (photography by Manuel Harlan)

⭐⭐⭐⭐⭐

It is hard to believe that over 20 years has passed since the first publication of this gritty, children’s novel (that adults enjoyed too). 2003 saw the release of the film (with such a memorable cast), adapted by the author of Holes himself, Louis Sachar.

Know that ‘Holes’ has become a school curricular text because its multi-layered story gives rise to the exploration of social injustices including racism and oppression.

This story is much more than an off-beat adventure set in the desert, and is one which translates to stage very nicely. This Adam Penford staging of Sachar’s own adaptation, is currently undertaking its first UK tour; and there’s something quite magical about it with many special theatrical touches.

In the direction, Penford hasn’t left one stone unturned (excuse the pun). He allows the storytelling to freely unfold. The performers respond naturistically in changing scenes that range from the slow-burn to the deeply dramatic. Where the unexplained is left hanging, and tension rises and falls.

Content includes the hard graft of doing unskilled work in scorching heat where water is rationed. There’s also idle chat, and a large degree of digging; grappling; pulling; pushing; pissing and bad behaviour. There are untrustworthy authoritarian types; and those with deep-rooted discriminations. The times when the "pot boils over" (as it often does); there are always consequences.

The play also includes a great deal of physicality, comedy and fun. The romance and spirit of communities is represented in music, song, dance and celebration.

The reviewer became lost in the experience, especially in Act II and was not aware of any cues or operational stuff happening so recommends this as thoroughly enjoyable watching.

Whether you are a young adult seeking a nostalgic evening’s entertainment; a teenager looking at attending an event; a teacher looking to link the study of Holes with a relateable out-of-classroom activity for pupils, or a theatre goer in general who enjoys an array of skills on show i.e great design (great lighting, great sets and props etc.,) I urge you to see this play if you can. 

**ENDS**

Review by theatre critic, Debra Hall who attended the press night showing of 'Holes' at The Belgrade Theatre, Coventy on 19 Feb 2020 7pm